“Mood,” released on RECORDS/Columbia Records, and the most fundamental Hot 100 No. 1 for every 24kGoldn and iann dior, drew 25.3 million U.S. streams (up 32%) and supplied 13,000 downloads (up 86%) within the week ending Nov. 12, per Nielsen Song/MRC Data. It also earned 85 million radio airplay viewers impressions (up as regards to 1%) within the week ending Nov. 15.
The notice spends a third week at No. 1 on the Radio Songs chart; as famed above, tops Streaming Songs for the most fundamental time, surging from No. 6; and jumps 6-2 for a brand original height on Digital Tune Gross sales. It was as soon as helped by the Nov. 6 initiate of its remix with, as well to 24kGoldn and dior, Justin Bieber and J Balvin (even though neither Bieber nor J Balvin receives billing on the tune on the Hot 100, because the remix did no longer outperform the true version in chart assignment within the monitoring week).
“Mood” tops the multi-metric Hot Rock & Replacement Songs and Hot Replacement Songs charts for a 12th week every and Hot Rap Songs for a fifth frame. (All three charts make exercise of the a related methodology because the Hot 100.)
Ariana Grande’s “Positions” holds at No. 2 on the Hot 100 after it entered atop the Nov. 7-dated chart. It dips to No. 3 on Streaming Songs after two weeks at the summit (21.2 million, down 17%); climbs 28-21 on Radio Songs (31.6 million, up 14%); and ranks at No. 22 on Digital Tune Gross sales (5,000).
Gabby Barrett’s Billboard Dwell At-Home Performance | Billboard
Gabby Barrett’s “I Hope,” featuring Charlie Puth, rises 5-3 on the Hot 100, hitting a brand original high, as it posts a third week at No. 2 on Radio Songs (78.1 million, down 2%), after a week at No. 1; bounds 15-6 on Digital Tune Gross sales (9,000, up 81%); and re-enters Streaming Songs at No. 30 (9.8 million, up 14%). The tune gains in all metrics after Barrett and Puth conducted it on the 54th annual Nation Song Affiliation Awards, broadcast on ABC on Nov. 11.
A week after “I Hope” executed the longest climb ever to the Hot 100’s top 5, it wraps the longest skedaddle to the head three: 46 weeks, surpassing the 43-week ascent of Imagine Dragons’ “Radioactive” in 2012-13. “I Hope” led the Nation Airplay chart for a week in April and, aided by its Puth remix released that month, has segued to grownup and dad radio (as it continues within the head 10 on the Adult Unique, Adult Pop Songs and Pop Songs airplay charts). It tops the multi-metric Hot Nation Songs chart for a 16th week.
Drake’s “Laugh Now Shout Later,” featuring Lil Durk, drops 3-4 on the Hot 100, after debuting at its No. 2 height. It provides a third week atop the multi-metric Hot R&B/Hip-Hop Songs chart, where two weeks earlier it was Drake’s characterize-atmosphere 21st No. 1.
The Weeknd’s “Blinding Lights” retreats 4-5 on the Hot 100, after spending four weeks at No. 1. It ranks within the head 5 for a characterize-extending 33rd week, while including a characterize tying 39th week within the head 10, matching Put up Malone’s “Circles.”
Most Weeks in Billboard Hot 100’s Top 10
39, “Blinding Lights,” The Weeknd, 2020
39, “Circles,” Put up Malone, 2019-20
33, “Sunflower (Spider-Man: Into the Spider-Verse),” Put up Malone & Swae Lee, 2018-19
33, “Girls Love You,” Maroon 5 feat. Cardi B, 2018-19
33, “Shape of You,” Ed Sheeran, 2017
32, “Sicko Mode,” Travis Scott, 2018-19
32, “Closer,” The Chainsmokers feat. Halsey, 2016-17
32, “How Function I Dwell,” LeAnn Rimes, 1997-98
31, “Uptown Funk!,” Impress Ronson feat. Bruno Mars, 2014-15
30, “Sinister Guy,” Billie Eilish, 2019
30, “Tender,” Santana feat. Pick Thomas, 1999-2000
“Blinding Lights” concurrently ideas the multi-metric Hot R&B Songs chart for a characterize-padding 35th week.
Web Money and Gunna’s “Lemonade,” featuring Don Toliver and NAV, rises to a brand original No. 6 Hot 100 high, from No. 7.
Justin Bieber’s “Holy,” featuring Likelihood the Rapper returns to the Hot 100’s top 10 (11-7), after debuting at its No. 3 high (Oct. 3). The notice ascends 11-10 on Radio Songs (48.1 million, up 8%), turning into Bieber’s 16th top 10 and Likelihood the Rapper’s third (all in collaboration with Bieber; DJ Khaled’s “I’m the One,” featuring the pair, as neatly as Quavo and Lil Wayne, and “No Brainer,” by the a related lineup rather than for Lil Wayne, reached Nos. 5 and eight in 2017 and 2018, respectively).
Sinister Bunny and Jhay Cortez’s “Dakiti” rises 9-8 in its 2d week on the Hot 100, as it holds at No. 2 on Streaming Songs with 22.2 million streams (no doubt even week-over-week). It crowns the multi-metric Hot Latin Songs chart for a 2d week.
Jawsh 685 and Jason Derulo’s “Savage Treasure (Laxed – Siren Beat)” descends 6-9 on the Hot 100, after a week at No. 1, aided by BTS remixes.
Rounding out the Hot 100’s top 10, Pop Smoke’s “For the Evening,” featuring Lil Slight one and DaBaby, re-enters the tier (12-10) for the most fundamental time because it debuted at No. 6 on the July 18-dated chart. The tune has spent all 19 of its weeks on the Hot 100 within the head 40, and this week posts its 15th frame within the head 20, as it holds at No. 5 on Streaming Songs (18.5 million down 6%) and debuts at No. 42 on Radio Songs (17.8 million, up 34%, precise for the Hot 100’s top Airplay Gainer award).
Yet as soon as more, for all chart files, you can be ready to coach @billboard and @billboardcharts on each Twitter and Instagram and all charts (dated Nov. 21), including the Hot 100 in its entirety, will refresh on Billboard.com the next day (Nov. 17).